As former co-editor of Somatechnics, along with Iris van der Tuin, Marlena Gustavson, and Holly Randell-Moon, I oversaw the publications of the following special issues: Cripping Development (2016); Trans Temporalities (2017); Somatechnics of Sex in Canada (2017); and Cinematic Bodies (2018).

Somatechnics presents a thoroughly multi-disciplinary scholarship on the body, providing a space for research that critically engages with the ethico-political implications of a wide range of practices and techniques. The term ‘somatechnics’ indicates an approach to corporeality which considers it as always already bound up with a variety of technologies, techniques and technics, thus enabling an examination of the lived experiences engendered within a given context, and the effects that technologies, technés and techniques have on embodiment, subjectivity and sociality.
Fully double-blind peer-reviewed, Somatechnics seeks contributions that present innovative examinations of the interplay between bodily being and the technological context in which it occurs. The journal publishes articles and special issues on topics such as the (soma)technics of racialization, ‘terror’, movement, spatialization, size(ing), reproduction, consumption, gender, medicine, information, gaming, film, nation, globalization, ecology, bioscience, law, sexuality, family, education, health, visuality and ancestry.